The updated retrospective published for McCullin's 80th birthday. Contains 40 new unpublished photographs and a new introduction - the definitive edition. McCullin's reputation has long been established as one of the greatest photographers of conflict in the last century. In the fourteen years since the first publication of the book, McCullin has shed the role of war photographer and become a great landscape artist. He has also travelled widely through Africa, India, the Middle East and among the tribes living in Stone Age conditions in Indonesia. His journey from the back streets of north London to his rural retreat in the depths of Somerset is unparalleled. It includes a passage through the most terrible scenes of recent history, for which his stark views of the West Country offer him some redemption.

Thalidomide: patented in Germany as a non-toxic cure-all for sleeplessness and morning sickness. A wonder drug with no side effects. We know differently now. Today, thalidomide is a byword for tragedy and drug reform - a sign of what happens when things aren't done 'the right way'. But when it was released in the 1950s, it was the best thing since penicillin - something that doctors were encouraged to prescribe to all of their patients. Nobody could anticipate what it actually did: induce sleeping, prevent morning sickness, and drastically harm unborn children. But, whilst thalidomide rampaged and ravaged throughout most of the West, it never reached the United States. It landed on the desk of Dr Frances Kelsey, and there it stayed as she battled bureaucracy, patriarchy, and the Establishment in an effort to prove that it was dangerous. Frankie is her story.

Foreword by Henry Kissinger
Advance Praise for A Shattered Peace
"The peace settlements that followed World War I have recently come back into focus as one of the dominant factors shaping the modern world. The Balkans, the Middle East, Iraq, Turkey, and parts of Africa all owe their present-day problems, in part, to these negotiations. David Andelman brings it all back to life--the lofty ideals, the ugly compromises, the larger-than-life personalities who came to Paris in 1919. And he links that far-away diplomatic dance to present-day problems to illuminate our troubled times. A tremendous addition to this vitally important subject."
--Ambassador Richard Holbrooke
"The peace conference in Paris at the end of World War I was the first and last moment of pure hope for peace in the history of world affairs. Our president Woodrow Wilson was the sorcerer for this hope, and he kindled great expectations in people everywhere. David Andelman, a classic reporter and storyteller, tells this fascinating tale of hope falling finally and forever on the shoals of naivete and hard-headed cynicism."
--Leslie H. Gelb, former columnist for the New York Times and President Emeritus of the Council on Foreign Relations
"The failed peace settlement following the Great War of 1914-1918 has been the subject of many fine books. In many respects, David Andelman's A Shattered Peace is the best of these. It is compact and compellingly written. Moreover, it explains more clearly than any other work how the failure of peacemaking in 1919 shaped later history and, indeed, shapes our own era."
--Ernest R. May, Charles Warren Professor of American History, Harvard University
"It is the power and fascination of David Andelman's new book, A Shattered Peace, that he shows us--with the clarity of a first-rate reporter and the drama and detail at the command of a first-rate novelist--that we are all still enmeshed in the loose ends of the Treaty of Versailles. Andelman brings us to Korea, to Vietnam, to the Persian Gulf, and to Iraq in our own vexed era. His story is alive with color, conflict, and interesting people. We could not find a better guide to this time."
--Richard Snow, Editor in Chief, American Heritage

" A Convenient Hatred: The History of Antisemitism " chronicles a very particular hatred through powerful stories that allow readers to see themselves in the tarnished mirror of history. It offers insights into universal aspects of human behavior, particularly the power of ideas--even mistaken ideas--to shape thought, judgment, and ultimately behavior. In doing so, the book raises important questions about the consequences of our assumptions and beliefs and the ways we, as individuals and as members of a society, make distinctions between "us" and "them," right and wrong, good and evil. These questions are both universal and particular.

The massacres of the Sierra Leone Civil War, the bloody struggle for liberation during the Arab Spring, the plight of the Kurdish refugees in the Gulf War and the ongoing devastation of the Israeli-Palestinian conflict - in the midst of the upheavals that have shattered and re-shaped the late-20th and 21st centuries, there was Yannis Behrakis - just Yannis, just a man with a camera and a mission to capture history unfolding. As a Reuters photojournalist for over three decades, Behrakis put his life on the line, braving riots, sniper fire and air raids to seek out the best of humanity in the worst of circumstances. Just Yannis looks back at the iconic photographs that have shaped our understanding of the world - its sorrows, pain, despair, courage, and hope - and pays homage to the legacy and enduring impact of the man behind the viewfinder.

Harold Evans has edited everything from the urgent files of battlefield reporters to the complex thought processes of Henry Kissinger, and he has been knighted for his services to journalism. In Do I Make Myself Clear?, his definitive guide to writing well, Evans brings his indispensable insight to the art of clear communication. The right words are oxygen to our ideas, but the digital era, with all of its TTYL, LMK and WTF, has been cutting off that oxygen flow. The compulsion to be precise has vanished from our culture, and in writing of all kinds we see a trend towards more - more speed and more information, but far less clarity. Evans provides practical examples of how editing and rewriting can make for better communication, even in the digital age. Do I Make Myself Clear? is an essential text, and one that will provide every reader an editor at their shoulder.

Harry Evans has edited everything from the urgent files of battlefield reporters to the complex thought processes of Henry Kissinger, and he has been knighted for his services to journalism. In Do I Make Myself Clear?,his definitive guide to writing well, Evans brings his indispensable insight to the art of clear communication. The right words are oxygen to our ideas, but the digital era, with all of its TTYL, LMK and WTF, has been cutting off that oxygen flow. The compulsion to be precise has vanished from our culture, and in writing of all kinds we see a trend towards more - more speed and more information, but far less clarity. Evans provides practical examples of how editing and rewriting can make for better communication, even in the digital age. DO I MAKE MYSELF CLEAR? is an essential text, and one that will provide every reader an editor at their shoulder.

In Harold Evans's classic memoir, he tells the inside story of Rupert Murdoch's takeover of the Times of London and his rise to become a global media power In 1981, Harold Evans was the editor of one of Britain's most prestigious publications, the Sunday Times, which had thrived under his watch. When Australian publishing baron Rupert Murdoch bought the daily Times of London, he persuaded Evans to become its editor with guarantees of editorial independence. But after a year of broken promises and conflict over the paper's direction, Evans departed amid an international media firestorm. Evans's story is a gripping, behind-the-scenes look at Murdoch's ascension to global media magnate. It is Murdoch laid bare, an intimate account of a man using the power of his media empire for his own ends. Riveting, provocative, and insightful, Good Times, Bad Times is as relevant today as when it was first written. "Evans remains one of the great figures of modern journalism." -The Economist "Entertaining and important.... The book has caused a stir." -The New York Times "Extraordinarily well written. A vivid portrait of what it is like to be the editor of a great daily newspaper."-Chicago Tribune "If there is one living editor who has carried the fight against the forces of darkness with the] most vigour, persistence and brilliance, that man is unquestionably Harold Evans." -The Independent "Brilliantly written, sustaining a sweeping power of narrative and packed with pungently witty character sketches that will remind Hazlitt. . . . Compulsory reading for all who wish to estimate the strength of foundations of British democracy." -The Times Literary Supplement "Much has been written about Rupert Murdoch by journalists peering in from the outside . . . Good Times, Bad Times is by a journalist who was engaged with Murdoch in a struggle to the death." -The New Republic "Fascinating . . . both an uncommonly entertaining tale and an important account of the tribulations of the press in an age of international media barons." -Arthur Schlesinger, Jr. "It's a compelling book, a wonderful 'read'. It is often very funny. It is also about journalism and good stories and editing. . . . One can think of a long list of prime ministers who have done less for publishing liberties in this country than Harold Evans did." -London Review of Books Sir Harold Evans (b. 1928) is a celebrated British journalist and author who has served as editor of the Sunday Times and the Times of London, president and publisher of Random House, and editorial director of U.S. News & World Report. He is currently editor at large of the Reuters news agency. As editor of the Sunday Times for fourteen years, Evans emphasized a style of tough investigative journalism responsible for breaking many of the day's major news stories. His acclaimed books include Good Times, Bad Times, My Paper Chase, and the New York Times bestseller The American Century. Evans lives in New York City with his wife, Tina Brown.

From a wartime beach in Wales to the gleaming skyscrapers of twenty-first-century Manhattan, the extraordinary career of Fleet Street legend Harold Evans has spanned five decades of tumultuous social, political and creative change. Just how did a working class Lancashire boy, who failed the eleven-plus, rise to a position where he could so effectively give voice to the unheard? Born in the bleak years between the wars in the sprawl of Greater Manchester into a thrifty, diligent and loving family, Evans inherited only the privilege of his parents' example. Theirs was a work ethic that led Evans through night school classes, national service and a passionate commitment to regional life, and, finally, to his unassailably successful editorship of one of our greatest newspapers, the Sunday Times. Whether unpicking the murderous chaos of Bloody Sunday, pursuing a foreign correspondent's murderers or uncovering the atrocity of Thalidomide, this consummate newsman evokes his contagious passion: for the real story and the truth.

Benjamin Pogrund, who spent 26 years as a journalist in South Africa investigating apartheid and who has been living in Israel for the past 15 years, investigates the accusation that Israel is practicing apartheid and the motives of those who make it. His study is founded on a belief in Israel, combined with frank criticism, to provide a balanced view of Israel's strengths and problems. To understand Israel today, one must first look at the past and so the book first outlines key foundational events to explain current attitudes. It then explores the contradictions found in the region, including discrimination against Israeli Arabs and among Jews, before concluding that it is wrong to affix the apartheid label to Israel inside the Green Line of 1948/1967. It also deconstructs the criticisms of Israel and the boycott movement before arguing for two states, Israeli and Palestinian, as the only way forward for Jews and Arabs. This detailed and balanced study offers a unique comparison between South Africa and Israel and explains complex political and social situations in language accessible to all readers.

Essential English is a brisk and pungent guide to the use of words as tools of communication. It is written primarily for journalists, yet its lessons are of immense value to all who face the problem of giving information, whether to the general public or within business, professional or social organizations. What makes a good English sentence? How should you rewrite a bad one?What cliches and other word-traps are to be avoided? How do you shorten unnecessarily verbose source-material? How is the essence of what you have to say be conveyed, and placed in proper relation to any background information? These are questions for all. Using a wealth of examples, all drawn from newspapers in Britain and the United States, ESSENTIAL ENGLISH is an indispensable guide for all who have to convey information by the written or printed word.

Upon its publication, My Paper Chase received rave reviews from newspapers, broadcasters, and bloggers across three continents, and was a 2009 Notable Book of the "New York Times"-and for good reason. It's the wild and wonderful tale of anewspapering and publishing odyssey that took Harold Evans from wartime Manchester to London and finally to America. Editor of two of the world's most renowned newspapers, the "Sunday Times" and "The Times," publisher of Random House, and a bestselling author in his own right, Evans brings to life print media's glorious history as he recalls his own-from unmasking the greatest Soviet spy to taking on the lost cause of the thalidomide children-and winning-to clashes with politicians, government agencies, and Rupert Murdoch, to finally achieving what Scott Fitzgerald has declared impossible-A Second Act in America.
In an age when newspapers everywhere are under threat, My Paper Chase is a witty and inspiring personal story but also a poignant and timely reminder of all that newspapers have been, and all that can be again.

In the world of magazines, no recognition is more highly coveted than an "Ellie," the National Magazine Award presented by the American Society of Magazine Editors to the best of the American magazines. The Awards are the magazine equivalents to the Pulitzer Prizes of the newspaper industry. Each year, hundreds of editors-in-chief, journalism professors, and art directors winnow more than a thousand submissions to about seventy-five nominees in categories such as Reporting, Feature Writing, Profiles, Public Interest, Essays, Reviews and Criticism. Interest in the nominees is keen, and this collection will allow people both in the magazine world and beyond to find in one place, read, and admire the year's best. It is a wonderful, browsable volume of interest to writers and readers who appreciate magazine writing and journalism at its highest level.

Benjamin Pogrund, who spent 26 years as a journalist in South Africa investigating apartheid and who has been living in Israel for the past 15 years, investigates the accusation that Israel is practicing apartheid and the motives of those who make it. His study is founded on a belief in Israel, combined with frank criticism, to provide a balanced view of Israel's strengths and problems. To understand Israel today, one must first look at the past and so the book first outlines key foundational events to explain current attitudes. It then explores the contradictions found in the region, including discrimination against Israeli Arabs and among Jews, before concluding that it is wrong to affix the apartheid label to Israel inside the Green Line of 1948/1967. It also deconstructs the criticisms of Israel and the boycott movement before arguing for two states, Israeli and Palestinian, as the only way forward for Jews and Arabs. This detailed and balanced study offers a unique comparison between South Africa and Israel and explains complex political and social situations in language accessible to all readers.

The real inventor of the steam engine. The creator of the bra. The man who invented modern banking. The creator of the computer operating system. These and scores of others are the characters that populate Harold Evans's rollicking, brilliant history of the men and women who made America great. Vast and beautifully designed with hundreds of duotones and photos throughout (many never before published), the book is itself a creation as grand as those it describes. Evans reveals the surprising truths behind many of the creations that made our modern world, as well as the lessons we can learn by studying the great entrepreneurs and innovators of the past two centuries.